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I figured if i could put together being funny about stuff and actual events, maybe i could do something that wasn't being done much. because the reporters that i met out there were funny, and they had hilarious stories that just didn't fit in the ap/upi/new york times foreign-correspondent style. they couldn't use the things they had. but i could.
Good manners are a combination of intelligence, education, taste and style mixed together so that you don't need any of those things.
Where words can be translated into equivalent words, the style of an original can be closely followed; but no translation which aims at being written in normal english can reproduce the style of aristotle.
I'm actually a fairly conservative person. i live a very conservative lifestyle.
Whether in music or in fiction, the most basic thing is rhythm. your style needs to have good, natural, steady rhythm, or people won't keep reading your work.
Good style happens in one of two ways: the writer either has an inborn talent or is willing to work herself to death to get it.
I have no models in japanese literature. i created my own style, my own way.
I'm not a fast reader. i like to linger over each sentence, enjoying the style. if i don't enjoy the writing, i stop.
It's true that at the time i was fond of kurt vonnegut and richard brautigan, and it was from them that i learned about this kind of simple, swift-paced style, but the main reason for the style of my first novel is that i simply did not have the time to write sustained prose.
In japan they prefer the realistic style. they like answers and conclusions, but my stories have none. i want to leave them wide open to every possibility. i think my readers understand that openness.
The new ann taylor is for modern women who want to take on the world in style.
It's funny, but certain faces seem to go in and out of style. you look at old photographs and everybody has a certain look to them, almost as if they're related. look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
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