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One doesn't stop seeing. one doesn't stop framing. it doesn't turn off and turn on. it's on all the time.
-Annie Leibovitz
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One Doesn't Stop Seeing. One Doesn't Stop

Annie Leibovitz
One doesn't stop seeing. one doesn't stop framing. it doesn't turn off and turn on. it's on all the time.
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Inspirational Photography Insightful

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I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. it's a way of seeing life unfold on the page before me.
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It is hard to stop seeing your son as a son and to start seeing him as a human being. it is hard to stop seeing your parents as parents and to start seeing them as human beings. it's a two-sided transition, and very few people manage it gracefully.
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No difference small as a peanut, big as a giant, we're all the same size when we turn off the light. rich as a sultan, poor as a mite, we're all worth the same when we turn off the light. red, black or orange, yellow or white, we all look the same when we turn off the light. so maybe the way, to make everything right is for god to just reach out and turn off the light!
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I don't think so much about verbal comedy. i always think about visual comedy. i was raised watching silents, and i'm always thinking about how to make cinema, not good talking - although i want good talking. i'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. my goal is always what chuck jones wanted his warner brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on. i think if you watch most of my films with the sound off, you could still tell what's going on.
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I always think about visual comedy. i was raised watching silents, and i'm always thinking about how to make cinema, not good talking - although i want good talking. i'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. my goal is always what chuck jones wanted his warner brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on.
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The photograph contains and constrains within its own boundaries, excluding all else, a microcosmic analogue of the framing of space which is knowledge. as such it becomes a metaphor of power, having the ability to appropriate and decontextualize time and space and those who exist within it.
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