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Anybody that makes films knows the film is never finished. it's abandoned or it's ripped out of your hands, and it's thrown into the marketplace, never finished. it's a very rare experience where you find a filmmaker who says, "that's exactly what i wanted. i got everything i needed. i made it just perfect. i'm going to put it out there."
-George Lucas
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Anybody That Makes Films Knows The Film

George Lucas
Anybody that makes films knows the film is never finished. it's abandoned or it's ripped out of your hands, and it's thrown into the marketplace, never finished. it's a very rare experience where you find a filmmaker who says, "that's exactly what i wanted. i got everything i needed. i made it just perfect. i'm going to put it out there."
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Hands Perfect Film

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Men are four; he who knows and knows not that he knows. he is asleep; wake him. he who knows not and knows not that he knows not. he is a fool; shun him. he who knows not and knows that he knows not. he is a child; teach him. he who knows and knows that he knows. he is a king; follow him. the heights by great men reached and kept were not attained by sudden flight, but they, while their companions slept, were toiling upward in the night.
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There are four types of men in this world: 1. the man who knows, and knows that he knows; he is wise, so consult him. 2. the man who knows, but doesn't know that he knows; help him not forget what he knows. 3. the man who knows not, and knows that he knows not; teach him. 4. finally, there is the man who knows not but pretends that he knows; he is a fool, so avoid him.
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Don't bring your need to the marketplace, bring your skill. if you don't feel well, tell your doctor, but not the marketplace. if you need money, go to the bank, but not the marketplace.
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Well, there's two things i have criteria for doing a film: the script, which is the story, and the filmmaker, and it's a filmmaker's medium. i like really strong directors, and so when i do a film, i'm out there to serve the director, really, which is in turn to serve the script, to serve the director cause he's the one making the film. i relied on todd haynes for that.
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There is something that might be called cinematic beauty. it can only be expressed in a film, and it must be present for that film to be a moving work. when it is very well expressed, one experiences a particularly deep emotion while watching that film. i believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
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I don’t use an exposure meter. my personal advice is: spend the money you would put into such an instrument for film. buy yards of film, miles of it. buy all the film you can get your hands on. and then experiment with it.that is the only way to be successful in photography. test, try, experiment, feel your way along. it is the experience, not technique, which counts in camera work first of all. if you get the feel of photography, you can take fifteen pictures while one of your opponents is trying out his exposure meter.
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