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I think first-person narrators should be complex, because otherwise the first-person is too shallow and predictable. i like a first-person narrator who can't totally be trusted.
Narrator: you had to give it to him: he had a plan. and it started to make sense, in a tyler sort of way. no fear. no distractions. the ability to let that which does not matter truly slide.
First-person narrators is the way i know how to write a book with the greatest power and chance of artistic success.
Hitchcock makes it very clear to us. there's an objective and a subjective camera, like there's a third- and a first-person narrator in literature.
For it is humanly certain that most of us remember very little of what we have read. to open almost any book a second time is to be reminded that we had forgotten well-nigh everything that the writer told us. parting from the narrator and his narrative, we retain only a fading impression; and he, as it were, takes the book away from us and tucks it under his arm.
It is rare and almost impossible for a novel to have only one narrator.
By definition, memoir demands a certain degree of introspection and self-disclosure: in order to fully engage a reader, the narrator has to make herself known, has to allow her own self-awareness to inform the events she describes.
I go straight from thinking about my narrator to being him.
The thing i love about dickens is the omniscient, omnipotent narrator, and the great confidence of the narrator, which marks 19th-century novelists in general and dickens in particular.
I personally just want to do as many different things as i can do, whether it's comedy, drama, science fiction, horror, narrator... you've got a documentary, i've got a voice. animated films. big films, small films.
I'm starting to think my narrators' sentences are getting too big for them, and they are getting to sound a bit samey and, more disturbingly, a bit too much like me.
I'm really shocked when critics get morally outraged at my fiction because they think i'm condoning what's going on. i never come in as the author and say, "hey, okay. i'm interrupting the narrator here. i'm bret easton ellis, and i'm the author."
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