Tha do thaic gar cuideachadh gus an sgeulachd innse
Bho chòraichean gintinn gu atharrachadh clìomaid gu Huge Tech, tha The Impartial air an talamh nuair a tha an sgeulachd a’ leasachadh. Co-dhiù a tha e a’ sgrùdadh ionmhas an pro-Trump PAC aig Elon Musk no a’ toirt a-mach am prògram aithriseach as ùire againn, ‘The A Phrase’, a tha a’ deàrrsadh air na boireannaich Ameireaganach a tha a’ strì airson còraichean gintinn, tha fios againn cho cudromach sa tha e na fìrinnean a sgrùdadh. teachdaireachdan.
Aig àm cho èiginneach ann an eachdraidh nan SA, tha feum againn air luchd-aithris air an talamh. Leigidh an tabhartas agad leinn cumail oirnn a’ cur luchd-naidheachd gus bruidhinn ri gach taobh den sgeulachd.
Tha earbsa aig Ameireaganaich thar an speactram poilitigeach gu lèir anns an Impartial. Agus eu-coltach ri mòran ionadan naidheachd càileachd eile, tha sinn a’ roghnachadh gun a bhith a’ glasadh Ameireaganaich a-mach às ar n-aithris agus mion-sgrùdadh le ballachan pàighidh. Tha sinn den bheachd gum bu chòir naidheachdas càileachd a bhith ri fhaighinn leis a h-uile duine, le pàigheadh air a shon leis an fheadhainn as urrainn a phàigheadh.
Bidh an taic agad a’ dèanamh diofar mòr.
Gu h-iongantach agus neònach, tha an opera roc aig EDM aig Dave Malloy na rud airson iongnadh a dhèanamh air – agus tha luchd-amhairc dealasach air a bhith a’ feitheamh gus a dhol thairis air speuran dorcha Lunnainn airson ùine mhòr. Natasha, Pierre & The Nice Comet ann an 1812 thòisich beatha ann an taigh-cluiche beag neo-phrothaideach ann an New York o chionn deich bliadhna, air a chumail mar phàrtaidh bogaidh fiadhaich le Rachel Chavkin. An uairsin chaidh e suas gu Broadway, a’ cosnadh bunait luchd-leantainn a chaidh a sgrios leis an dùnadh ro-luath. A-nis, tha e a’ lasadh Taigh-cluiche Donmar, ann an ath-aithris dlùth a tha a’ leigeil a chridhe lom – ach cuideachd na lochdan aige.
Bidh bulbaichean a’ frasadh air beulaibh gach suidheachan san luchd-èisteachd, agus an sgioba a’ fosgladh le prologue a tha na rabhadh ciùil: “leugh am prògram”, bidh iad a’ seinn agus iad a’ toirt a-steach caractaran bho phàirt a h-ochd de Tolstoy‘s an nobhail ainmeil mammoth Cogadh agus sìth le sìmplidheachd na cloinne a’ seinn timcheall teine-campa. Chan eil rabhadh mar sin riatanach. Tha e air leth soilleir ann an làmhan an stiùiriche ealain ùr Donmar Timothy Sheader, a chuir seachad 17 bliadhna roimhe a’ tionndadh Taigh-cluiche Open Air Park Regent gu bhith na thaigh-cluiche ciùil.
Ma tha thu gu dìomhain a’ lorg do chuimhne airson innleachadh air sgeulachd Tolstoy, search engine marketing a’ dol: ainmeil airson a bòidhchead, an tiotal Natasha (Chumisa Dornford-Might) agus a caraid Sonya (Maimuna Memon) a’ ruighinn Moscow airson dòs de shòlas cultarach fhad ‘s a tha thu tha iad a’ feitheamh ri am fir-pòsda tilleadh o’n chogadh. Bidh Pierre (Declan Bennett) trom-inntinneach, air a chuartachadh, a’ cumail sùil orra, ach chan urrainn dha Natasha a dhìon bho a bhràthair nach eil cho math Anatole (Jamie Muscato), a bheir ionnsaigh oirre le aire agus a shlaodadh a-steach do dh’ ionnsaigh borb, adhaltranach Moscow. gu h-iosal.
Tha ceòl-ciùil Malloy cha mhòr gu tur air a sheinn na shàr-chlas ann am prosody, le na facail a tha gu tric tana air an toirt seachad le doimhneachd is doimhneachd tòcail le roghainnean orcastra, a tha a’ togail an ciall. Nuair a bhios coinneamh gu math neònach aig Natasha le a piuthar mì-thoilichte a tha fo bhròn, bidh an eadar-obrachadh “cuingichte agus fo chuideam” a’ fàs na sgreuch mì-chiallach. Chan eil a leithid de mhì-chofhurtachd ann nuair a bhios Anatole ga h-uilinn aig an opara, le drumaichean armachd a’ bualadh mar a cridhe brùideil agus e a’ dèanamh coup armailteach air a buadhan.
Far a bheil na h-uimhir de cheòl-ciùil an West Finish a’ frithealadh clàr pappy, poppy sonic, tha ceòl Malloy na mheasgachadh air leth beairteach beairteach de cheòl naomh Ruiseanach, EDM agus roc indie. Agus an search engine marketing, tha Sheader air sgioba sgoinneil de sheinneadairean a chruinneachadh gus a mhaidseadh. Bidh guthan Dornford-Mays a’ freagairt air an innleachd milis search engine marketing gun a bhith a’ faireachdainn tinn, a’ toirt tiamhas briste don òran lòchrain “No One Else”. Tha bòidhchead garbh aig an t-seinneadair is sgrìobhadair òrain Bennett mar Pierre sgìth, a’ toirt an taighe sìos leis an duan fèin-ghrinn “Mud and Ashes”. Bidh Memon a’ deàrrsadh sa mhòr-chuid, a’ toirt iasad de ghuth geal tràillean fosgailte gu sealladh aig an opara, agus nota làidir husky de ghliocas cruaidh gu “Sonya Alone”. Is e sgòr iongantach math a th’ ann, iom-fhillte gun a bhith ag ìobairt a ghlacadh no a chomas grèim fhaighinn air do chridhe agus do sgòrnan.
Tha cinneasachadh Sheader air leth math anns na seallaidhean pàrtaidh aige, a’ cruthachadh suaicheantais de mhiann is de dh’ fhaireachdainn gu h-ealanta, le èideadh eireachdail agus gu tur ùr-nodha – agus mar sin tha e tàmailteach gu bheil an sgeulachd nach eil a’ toirt làn greim ort san aon dòigh, air a cumail air ais leis an iomadh cus a th’ ann. amannan nochdaidh (gu cinnteach chan eil feum againn air òran slàn a’ mìneachadh gum b’ àbhaist do dhaoine a bhith a’ sgrìobhadh litrichean) agus a’ sàmhchair aig amannan èiginneach – chan eil sinn buileach a’ faireachdainn làn cuideam air carson a tha gnìomhan Natasha cho gràineil, ann an comann-sòisealta far a bheil pòsadh coltach ri seann fhoirmeachd. Tha Natasha cuideachd aois shìos an search engine marketing, a’ seinn fhad ‘s a tha i a’ frasadh thairis air teadaidh mòr pinc, fhad ‘s a tha Pierre nas sine – a’ cur faireachdainn mì-chofhurtail agus neo-rannsaichte ris a ’cheangal aca.
A dh’ aindeoin sin, is e taigh-cluiche ciùil a tha search engine marketing a tha a’ faireachdainn mar thachartas, a tha tearc is inntinneach ri fhaicinn. Gu cinnteach, tha e airidh air losgadh soilleir anns an West Finish airson bliadhnaichean ri thighinn.
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Aaron Pierre is closing out his large yr on a literal excessive notice.
After donning Malcolm X’s distinctive browline glasses within the “Genius: MLK/X” collection and getting his modern-day Rambo on within the Netflix motion hit “Insurgent Ridge,” the 30-year-old English actor showcases his vocal skills in “Mufasa: The Lion King.”
To ship because the titular regal lion, Pierre educated beneath Lin-Manuel Miranda in what he calls a “fantastic singing boot camp.”
“My voice was doing issues I by no means imagined it might do. I used to be hitting notes that I didn’t assume existed for my vary,” Pierre mentioned. “I’m simply actually hoping the footage of me singing these songs doesn’t come out as a result of I’m utilizing all of the strategies. Lin’s like ‘Throw the baseball!’ So I’m throwing the baseball making an attempt to hit that prime notice.”
His Hollywood trajectory retains going up: He is been named one in all The Related Press’ Breakthrough Entertainers of 2024 and HBO introduced in October that, reverse Kyle Chandler, Pierre will lead “Lanterns.”
That’ll be the broad-shouldered, hazel-eyed actor’s second DC Comics-based collection, following his 2018-2019 run on SyFy’s “Krypton,” which explored early days on Superman’s residence planet.
As for Pierre’s personal origin story: He grew up in South London because the oldest of three, with childhood aspirations of being a monitor star and a criminologist. At 13, he joined a neighborhood theater troupe that carried out in a warehouse, typically with simply a number of individuals within the viewers.
“That’s really the place I realized a few of my foundations. And a kind of is regardless of whether or not there’s one particular person within the viewers or 1,500 individuals … you give the identical efficiency, you give the identical vitality,” Pierre mentioned.
Mark “Moonlight” and “Mufasa” director Barry Jenkins down as impressed by that vitality. After watching Pierre play Cassio within the Globe Theatre’s “Othello,” Jenkins solid him as Caesar in “The Underground Railroad.” The small half grew and grew after Pierre arrived on set in Atlanta.
“I discovered myself simply creating scenes for him,” Jenkins mentioned. “, that character is within the present for for much longer, for much longer than his character exists within the narrative (Colson Whitehead’s novel). He simply retains reappearing. And that’s simply because it was only a pleasure to work with him. And it was so clear that his presence was simply instantly part of the religious essence of the present.”
Counting Denzel Washington, James Earl Jones and Sidney Poitier as profession function fashions, Pierre has been deliberate together with his selections as he strikes deeper into stardom. Artwork is the top purpose — not fame and even enjoyable, actually. He hopes new followers return to look at his 2022 indie “Brother,” about household bonds in Nineteen Nineties Toronto.
“I at all times need my neighborhood to really feel seen. I would like them to really feel revered. I would like them to really feel heard and understood. And I feel the initiatives that I select, that’s my small contribution hopefully to that manifesting itself,” he mentioned.
Pierre, now dwelling principally in Los Angeles, says he is been reaching out frequently to his mother again in London as he navigates the Hollywood circuit.
“Any time I communicate together with her, any time I’m current together with her, I really feel secure. I really feel reassured, I really feel rejuvenated,” he mentioned. “I undoubtedly name her telephone loads and he or she’ll reply even when she’s at work. Sure, I’m 30 and 6-foot-3 and doing Terry Richmond in ‘Insurgent Ridge.’ However wish to me, I’m nonetheless her child and I’m nonetheless her little boy and he or she at all times makes time for me, it doesn’t matter what the scenario.”
Each on and off-set, Pierre carries himself with a way of objective and seriousness. “I don’t know that there’s something frivolous about Aaron Pierre, even in downtime, which is — I imply that as a praise,” Jenkins mentioned.
“He’s very intellectually engaged. However he additionally appears like a superhero. And there’s a model of him that’s solely considered that means. He’s at all times diligent about defending in opposition to that by doing issues which can be perhaps a bit exterior the field,” Jenkins added. “And for me, I simply hope that he will get to develop and categorical himself in all of the completely different ways in which I feel he’s able to.”
Certainly, when requested about his aspirations for future artistic collaborators, the primary identify out of Pierre’s mouth would possibly shock: “Girls Speaking” writer-director Sarah Polley.
“When you might put a phrase in for me, please,” he mentioned.
“Yeah, simply to proceed to work with filmmakers who impressed me and whose work I love and respect and that can inevitably put me in a scenario the place I’m pressured to evolve and develop and develop and problem myself as an actor. And I wish to be doing that till the day that I resolve to cease doing this,” Pierre added. “I wish to at all times really feel like I’m rising, like I’m shifting the needle. , I by no means wish to really feel stagnant. I by no means wish to really feel comfy.”
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For extra on AP’s 2024 class of Breakthrough Entertainers, go to https://apnews.com/hub/ap-breakthrough-entertainers
From reproductive rights to local weather change to Massive Tech, The Unbiased is on the bottom when the story is growing. Whether or not it is investigating the financials of Elon Musk’s pro-Trump PAC or producing our newest documentary, ‘The A Phrase’, which shines a light-weight on the American girls combating for reproductive rights, we all know how necessary it’s to parse out the information from the messaging.
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When Aaron Pierre was forged as Mufasa, the load of following within the late James Earl Jones’ legendary footsteps was sufficient to rattle any actor. However as a substitute of letting the strain roar too loudly, he harnessed his nerves to breathe recent life into his younger lion character.
“I had a variety of nerves and I truly assume these nerves served me as a result of that’s what the adolescent model of that lion is,” Pierre mentioned in an interview Friday on the San Diego Safari Park about his main function in “Mufasa: The Lion King.” He took the reins as the brand new voice of Mufasa after Jones performed the enduring King Mufasa in each the 1994 and 2019 variations of Disney’s “The Lion King.”
Listed below are some particulars and insights about “Mufasa” forward of its launch in theaters on Dec. 20.
What is the story in “Mufasa”
The live-action prequel provides a recent exploration into Mufasa’s origin story.
After the occasions within the 2019 movie, Rafiki takes on the function of a storytelling sage, weaving the untold story of Mufasa for Kiara — the spirited granddaughter of Mufasa and the daughter of Simba and Nala. The duo Timon and Pumbaa stick round for Rafiki’s flashback.
Rafiki reveals that Mufasa’s cubhood wasn’t all royal ease and sunlit horizons. After a heart-wrenching tragedy of being separated from his mother and father, younger Mufasa finds himself misplaced and alone.
“He’s been separated from his household. He’s an orphan. He’s been ostracized, he’s been dismissed. He’s been degraded,” mentioned Pierre, the British actor who’s starred within the “Genius: MLK/X” collection and the Netflix motion hit “Insurgent Ridge.”
Mufasa was a stray till destiny led him to Taka, the compassionate inheritor of a unique pleasure. Taka, together with his fierce but nurturing mom, provide the displaced cub a brand new starting of their pleasure.
Through the years, Mufasa and Taka’s bond grows from camaraderie to brotherhood. However their loyalty is put to the last word check throughout a journey that uncovers Mufasa’s true origins and rightful kingdom in addition to the explanations behind Taka changing into Scar.
“There was a little bit of Taka resting on the privilege that he was imagined to be afforded,” mentioned Kelvin Harrison Jr., who performs Taka. He drew some inspiration from Jeremy Irons, who voiced the villainous Scar within the 1994 unique.
“There’s a bit little bit of ‘Properly, it looks as if I must command consideration,'” continued Harrison, who starred in “The Trial of the Chicago 7” and “Waves.” “It looks as if the one technique to win over a pleasure of something is to say dominance. That was Taka’s model of that, which ended up being a staple as Scar.”
How Blue Ivy received over “Mufasa” director Barry Jenkins
Beyoncé may need a small function in “Mufasa,” however her daughter Blue Ivy Carter is the household’s shining star within the movie.
The eldest daughter of Beyoncé and Jay-Z makes her function movie debut, lending her voice as Kiara, the daughter of Simba and Nala, who’s portrayed by her famous person mom.
“She got here into this ready,” mentioned director Barry Jenkins, who heard Blue Ivy’s narration on the audio ebook of Oscar winner Matthew Cherry’s “Hair Love.” He mentioned the 12-year-old phenom displayed some expertise that would not be ignored.
“She was the principle character and this entire film begins with simply voices,” Jenkins mentioned. “They’re doing nearly like a radio play and listening to that high quality in her voice, I believed, ‘Oh, I believe that’s my character,’” he continued. “Then she auditioned and it was clear that she is my character.”
Whereas recording for Kiara’s character, Jenkins mentioned Blue Ivy, who received a Grammy for co-writing her mother’s 2019 hit “Brown Pores and skin Lady,” was a professional.
“I don’t know Blue Ivy’s life, however I think about she grows up a bit bit completely different than everybody else,” he mentioned. “I believe due to that she’s grown up and so she had all these wells of understanding, expertise, emotional data that she dropped at the character. She was superior.”
Jenkins likens the Kiara character to the various youngsters who will see the film. Within the movie, she eagerly listens to John Kani’s Rafiki inform her grandfather’s origin story whereas Timon (Billy Eichner) and Pumbaa (Seth Rogen) accompany them in a cave.
“They get to see themselves in that character and he or she’s studying the story about Mufasa,” Jenkins mentioned. “She’s studying how he went by way of the identical trials and tribulations, the identical progress as she is.”
Blue Ivy didn’t document her vocals with the three forged members, however Rogen applauded her expertise.
“She was nice,” he mentioned. “I may have sworn we had been in that cave along with her.”
Lin-Manuel brings recent musical contact to “Mufasa”
When Lin-Manuel Miranda wrote new songs for the movie, he usually leaned on the well-known Billie Jean King quote: “Stress is a privilege.”
Miranda was up for the problem to go away his personal imprint on the storied franchise very similar to his predecessors. He mentioned there are seven new songs on the soundtrack, which shall be launched Dec. 13.
“I used to be emboldened by the truth that there’s the ’94 unique which is like an immortal basic,” mentioned Miranda, the “Hamilton” creator and Grammy, Emmy and Tony winner.
“However there’s additionally the Broadway musical and there’s additionally Beyoncé‘s album ‘The Lion King: The Present,’ which I believe expanded the musical vocabulary of what could be a ‘Lion King’ tune. So I felt a variety of house to create as a result of I felt like ‘Lion King’ is virtually a style of music and there was room to play and discover new stuff inside it.”
Miranda mentioned his “secret ingredient” was Lebo M, who’s recognized for his opening vocals on the basic melody “Circle of Life.” He mentioned his lyrics had been impressed by the script.
“His harmonies, the choral preparations he created for the Broadway musical and for the present, I believe had been so necessary to the success of the music of those films,” Miranda mentioned. “I believe it was thrilling for him to work on new songs.”
How ‘Mufasa’ honors James Earl Jones
Jones’ voice is not heard within the film, but it surely opens with a short tribute to the beloved actor, who died in September.
Pierre had hoped to satisfy Jones for the primary time, however did not get the possibility. Now, he is decided to honor his idol by constructing on his character’s legacy.
“I think about that a person experiencing these issues may need moments of not being positive and I wasn’t positive about myself,” he mentioned. “Aaron wasn’t positive about Aaron going into this, I attempted to channel these feelings versus being one thing that prohibited me as one thing that propelled me ahead. I gave it my finest. I hope that I used to be capable of serve James Earl Jones and honor James Earl Jones and the character.”