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With the roxbury guys (on 'saturday night live'), i think the breaking point was when stallone came on and wanted to do the sketch just because. and we're, like, 'well, now we've got to create a story, so, what, are we bopping our heads with rocky? what are we doing?'
-Chris Kattan
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With The Roxbury Guys (on 'saturday Night

Chris Kattan
With the roxbury guys (on 'saturday night live'), i think the breaking point was when stallone came on and wanted to do the sketch just because. and we're, like, 'well, now we've got to create a story, so, what, are we bopping our heads with rocky? what are we doing?'
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Night Thinking Point Break

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There is no means of testing which decision is better, because there is no basis for comparison. we live everything as it comes, without warning, like an actor going on cold. and what can life be worth if the first rehearsal for life is life itself? that is why life is always like a sketch. no, "sketch" is not quite a word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch for nothing, an outline with no picture.
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I wanted to be the next dana carvey. this was my ultimate goal. if i ever cut into a birthday cake and made a wish, i would wish to be on 'saturday night live.' if i threw a coin into a fountain, i would wish to be on 'saturday night live.' if i saw a shooting star, i would wish to be on 'saturday night live.'
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I was this swedish kid who came over here to study engineering, but i got into movies, and suddenly i'm in this 'rocky' picture with sylvester stallone. and then the movie comes out, and it's a big hit, and i'm famous. like, world famous. i wasn't thinking of ruling hollywood; i was thinking of just trying to make it to the next day, trying to figure out what the hell happened.
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If the point of life is the same as the point of a story, the point of life is character transformation. if i got any comfort as i set out on my first story, it was that in nearly every story, the protagonist is transformed. he's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. if the character doesn't change, the story hasn't happened yet. and if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
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It is conceivable at least that a late generation, such as we presumably are, has particular need of the sketch, in order not to be strangled to death by inherited conceptions which preclude new births.... the sketch has direction, but no ending; the sketch as reflection of a view of life that is no longer conclusive, or is not yet conclusive.
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We live in this culture of endless extraction and disposal: extraction from the earth, extraction from people's bodies, from communities, as if there's no limit, as if there's no consequence to how we're taking and disposing, and as if it can go on endlessly. we are reaching the breaking point on multiple levels. communities are breaking, the planet is breaking, people's bodies are breaking. we are taking too much.
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