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There is a considerable amount of manipulation in the printmaking from the straight photograph to the finished print. if i do my job correctly that shouldn't be visible at all, it should be transparent.
-John Sexton
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There Is A Considerable Amount Of Manipulation

John Sexton
There is a considerable amount of manipulation in the printmaking from the straight photograph to the finished print. if i do my job correctly that shouldn't be visible at all, it should be transparent.
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Photography Jobs Manipulation

More From John Sexton

How foolish of me to believe that it would be that easy. i had confused the appearance of trees and automobiles, and people with a reality itself, and believed that a photograph of these appearances to be a photograph of it. it is a melancholy truth that i will never be able to photograph it and can only fail. i am a reflection photographing other reflections within a reflection. to photograph reality is to photograph nothing.
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This is a photograph, so it is as you see: there are no lies and no deceptions. one can detect here, elevated to an incomparably higher level, the same pathetic emotional appeal that lies concealed in every fake spiritualist photograph, every pornographic photograph; one comes to suspect that the strange, disturbing emotional appeal of the photographic art consists solely in that same repeated refrain: this is a true ghost... this is a photograph, so it is as you see: there are no lies, no deceptions.
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It is good that the window should be transparent, because the street or garden beyond it is opaque. how if you saw through the garden too? it is no use trying to 'see through' [everything]. if you see through everything, then everything is transparent. but a wholly transparent world is an invisible world. to 'see through' all things is the same as not to see.
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A photograph never grows old. you and i change, people change all through the months and years but a photograph always remains the same. how nice to look at a photograph of mother or father taken many years ago. you see them as you remember them. but as people live on, they change completely. that is why i think a photograph can be kind.
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The way in which the photograph records experience is also different from the way of language. language makes sense only when it is presented as a sequence of propositions. meaning is distorted when a word or sentence is, as we say, taken out of context; when a reader or listener is deprived of what was said before, and after. but there is no such thing as a photograph taken out of context, for a photograph does not require one. in fact, the point of photography is to isolate images from context, so as to make them visible in a different way.
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Grey. it makes no statement whatever; it evokes neither feelings nor associations: it is really neither visible nor invisible. its inconspicuousness gives it the capacity to mediate, to make visible, in a positively illusionistic way, like a photograph. it has the capacity that no other colour has, to make 'nothing' visible.
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