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No one who has experienced facing a screaming, boiling, hysterical audience can avoid feeling shivers in the spine. it's a thin line between celebration and menace.
-Agnetha Faltskog
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No One Who Has Experienced Facing A

Agnetha Faltskog
No one who has experienced facing a screaming, boiling, hysterical audience can avoid feeling shivers in the spine. it's a thin line between celebration and menace.
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Feelings Lines Celebration

More From Agnetha Faltskog

Even one word, or certainly one sentence, should be able to describe the basic characteristic that the scene has, or the character has, or the story has. and then you begin to detail that one spine, and you have offshoots from that spine, and it becomes more and more complex, but all of it stems from that one-word, one-line theme, which can give the character, the scene, or the play its uniqueness.
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Shivers up and down my spine it's a feeling so divine let me go back for a while got to go back for a while to that magic time.
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People of our time are losing the power of celebration. instead of celebrating we seek to be amused or entertained. celebration is an active state, an act of expressing reverence or appreciation. to be entertained is a passive state--it is to receive pleasure afforded by an amusing act or a spectacle.... celebration is a confrontation, giving attention to the transcendent meaning of one's actions. source: the wisdom of heschel
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Much of a man's character will be found betokened in his backbone. i would rather feel your spine than your skull, whoever you are. a thin joist of a spine never yet upheld a full and noble soul.
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They tried boiling books, but that didn't work very well." "i'm surprised they haven't tried boiling one another." "oh, it's been tried," galladon said. "fortunately. something happens to us during the shaod—apparently the flesh of a dead man doesn't taste too good. kolo? in fact, it's so violently bitter that no one can keep it down." "it's nice to see that cannibalism has been so logically ruled out as an option," raoden said dryly
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'the night cafe' and 'the starry night' still emit such pathos, density, and intensity that they send shivers down the spine. whether van gogh thought in color or felt with his intellect, the radical color, dynamic distortion, heart, soul, and part-by-part structure in these paintings make him a bridge to a new vision and the vision itself.
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