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No one goes to the toilet in novels. you'd think none of us had bladders.
-Germaine Greer
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No One Goes To The Toilet In

Germaine Greer
No one goes to the toilet in novels. you'd think none of us had bladders.
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Thinking Toilets Bladder

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Now, you two – this year, you behave yourselves. if i get one more owl telling me you've – you've blown up a toilet or –" "blown up a toilet? we've never blown up a toilet." "great idea though, thanks, mum.
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In pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. and fiction functions in a countercultural way as it does in america and certainly as it did in the, you know, '60s.
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How'd we come up with the robe? was some guy just like, 'hey, i've got an idea! why don't we make a coat out of a towel? you can have a little belt that goes around. you could dunk the belt in the toilet! have a toilet belt.'
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I'm not a person that thinks back in the first place. i think forward. and it's always been less that people didn't get the character, but more people being mad that the movie fell short. or people would say they are glad the movie went in the toilet. and i totally agree with them. i think there are some movies i made that it was a good thing they went into the toilet, because they weren't good enough. the director f - -ed up, or the production was too small, or i screwed up, whatever the reasons are.
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I write my novels personally, desperately and non-negligently. when i write my novels, i think about my novels only, and never do other works.
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All my novels are rooted in their time and in their place. the place of my novels is israel, almost without exception. almost without exception, my novels are rooted in israel because that's the place i know well. and, that's my gutsy advice to any young writer: write only about what you know well. don't write about that which you don't know.
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