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If we were making a record in kentucky, there might be some more elements that recall a time, a place, or a relationship. recording for the bbc you enter into this strange and wonderful, but kind of sterile, place with which you have no personal history, and that's the maida vale studios at bbc in london.
-Will Oldham
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If We Were Making A Record In

Will Oldham
If we were making a record in kentucky, there might be some more elements that recall a time, a place, or a relationship. recording for the bbc you enter into this strange and wonderful, but kind of sterile, place with which you have no personal history, and that's the maida vale studios at bbc in london.
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Kentucky Elements Records

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All you do is you go back to the maida vale studios at bbc in london, and it feels like you're in a spaceship. it feels like you're in 2001 or something like that. it's massive and well constructed and highly technologically advanced and occupied by these wise scientists, engineers, and producers. listening to it, it just doesn't sound like me - that's a younger self that didn't know who he was or what he was doing. i can't identify with a nebulous cloud.
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Once, bbc television had echoed bbc radio in being a haven for standard english pronunciation. then regional accents came in: a democratic plus. then slipshod usage came in: an egalitarian minus. by now slovenly grammar is even more rife on the bbc channels than on itv. in this regard a decline can be clearly charted... if the bbc, once the guardian of the english language, has now become its most implacable enemy, let us at least be grateful when the massacre is carried out with style.
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Recording studios are filled with technology. they are set in their ways. and to update them means you'd have to change them back. that would be my idea of upgrading. and this will never happen. as far as i know, recording studios are booked all the time. so obviously people like all the improvements. the more technically advanced they are, the more in demand they become.
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And for me the only way to live life is to grab the bull by the horns and call up recording studios and set dates to go in recording studios. to try and accomplish something.
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Artists should re-emphasize performance and de-emphasize recording. you always make more money if you have a healthy performing life than you will if you have even a moderately healthy recording life. don't make recording the most important thing you do. make performing the most important thing you do, and then you can make recordings and sell them at your shows, because record labels aren't going to be around to help you get on the radio stations, and the radio stations probably aren't going to play you anyway.
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The late '60s and the '70s, a lot of this really beautiful equipment was being made and installed into studios around the world and the neve boards were considered like the cadillacs of recording consoles. they're these really big, behemoth-looking recording desks; they kind of look like they're from the enterprise in star trek or something like that. they're like a grayish color, sort of like an old army tank with lots of knobs, and to any studio geek or gear enthusiast it's like the coolest toy in the world.
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