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I like the big bombastic singers, but i'm also very drawn to what i call character singers. they're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.

-Boy George

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I Like The Big Bombastic Singers, But

Boy George

I like the big bombastic singers, but i'm also very drawn to what i call character singers. they're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.

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    <p style="font-size: 1.2rem; font-style: italic; margin-bottom: 10px;">"i like the big bombastic singers, but i&#039;m also very drawn to what i call character singers. they&#039;re people who obviously aren&#039;t very huge singers, but they&#039;ve got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects."</p>
    <footer style="font-size: 1rem; font-weight: bold;">— Boy George</footer>
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More From Boy George

I was working in this very bombastic style. i didn't really know about style. i didn't think about it: i did what i was interested in, what i was attracted to, what i was drawn to. i was drawn to color, and i was drawn to humor, and i was drawn to sexuality and spontaneity. it was all really intuitive. i never really thought, "well this is the style...

If the point of life is the same as the point of a story, the point of life is character transformation. if i got any comfort as i set out on my first story, it was that in nearly every story, the protagonist is transformed. he's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. if the character doesn't change, the story hasn't happened yet. and if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.

How did we make the transition from using wood to using coal, from using coal to using oil, from using oil to using natural gas? how in god's name did we make that transition without a federal energy agency?

What drew me to batman in the first place was bruce wayne's story, and that he's a real character whose story begins in childhood. he's not a fully formed character like james bond, so what we're doing is following the journey of this guy from a child who goes through this horrible experience of becoming this extraordinary character. that, for me, became a three-part story. and obviously the third part becomes the ending of the guy's story.

So tell me, since it makes no factual difference to you and you can't prove the question either way, which story do you prefer? which is the better story, the story with animals or the story without animals?' mr. okamoto: 'that's an interesting question?' mr. chiba: 'the story with animals.' mr. okamoto: 'yes. the story with animals is the better story.' pi patel: 'thank you. and so it goes with god.

Vera said: 'why do you feel you have to turn everything into a story?' so i told her why: because if i tell the story, i control the version. because if i tell the story, i can make you laugh, and i would rather have you laugh at me than feel sorry for me. because if i tell the story, it doesn't hurt as much. because if i tell the story, i can get on with it.

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