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I draw all the time. drawing is my backbone. i don't think a painter has to be able to draw, i just think that if you draw, you better draw well.
-LeRoy Neiman
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I Draw All The Time. Drawing Is

LeRoy Neiman
I draw all the time. drawing is my backbone. i don't think a painter has to be able to draw, i just think that if you draw, you better draw well.
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Thinking Drawing Able

More From LeRoy Neiman

A painter told me that nobody could draw a tree without in some sort becoming a tree; or draw a child by studying the outlines of its form merely but by watching for a time his motions and plays, the painter enters into his nature and can then draw him at every attitude.
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It is the bareness of drawing that i like. the act of drawing is what locates, suggests, discovers. at times it seems enough to draw, without the distractions of color and mass. yet it is an old ambition to make drawing and painting one.
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If it is the love of that which your work represents--if, being a landscape painter, it is love of hills and trees that moves you--if, being a figure painter, it is love of human beauty, and human soul that moves you--if, being a flower or animal painter, it is love, and wonder, and delight in petal and in limb that move you, then the spirit is upon you, and the earth is yours, and the fullness thereof.
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It's one thing to be sitting at a drawing board, alone in your home and coming up with a fantasy character, and drawing her whichever way you feel like drawing, then dealing with a real performer. all of a sudden, things change. it's amazing, in working with actors, how much i learn from them and how many new lines will come to mind because of their personality or their strengths.
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The farmers may be the backbone of the country, but who wants to be a backbone?
Country May Want
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. you don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘you can't do a thing’. the canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
Real Broken Passionate
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