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I didn't get into entertainment until i was like 31. i didn't star in a movie until i was 46.

-Paul Hogan

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I Didn't Get Into Entertainment Until I

Paul Hogan

I didn't get into entertainment until i was like 31. i didn't star in a movie until i was 46.

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    <p style="font-size: 1.2rem; font-style: italic; margin-bottom: 10px;">"i didn&amp;#039;t get into entertainment until i was like 31. i didn&amp;#039;t star in a movie until i was 46."</p>
    <footer style="font-size: 1rem; font-weight: bold;">— Paul Hogan</footer>
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Topic

Stars Entertainment

More From Paul Hogan

I'm not really a movie star. no matter what i do in acting, whether i'm good, how much work i get, whatever, i never will be a movie star. because i never think of myself as one. you are a movie star because you think of yourself as a movie star and always have.

I'm not a movie star like other actors in the way that i need to walk around with a bodyguard. my goal is just to get some interesting parts and make enough money to live free. otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. you can't do what you want. you become a prisoner of your fame. this happened to me in france and i don't want it. i want to go to the terrace of a café, have a coffee. i have no problems with the fact that people recognize me, i'm very glad about it, but to be a movie star is kind of unreal for me.

There are three possible parts to a date, of which at least two must be offered: entertainment, food, and affection. it is customary to begin a series of dates with a great deal of entertainment, a moderate amount of food, and the merest suggestion of affection. as the amount of affection increases, the entertainment can be reduced proportionately. when the affection is the entertainment, we no longer call it dating. under no circumstances can the food be omitted.

Well, i don't like the word 'rock star,' the two words, 'rock star.' not even 'soft rock star. not even limestone star. i don't like those words.

In entertainment, the technology began giving us greater choice and easier switching before almost any other area. the studios became much more dependent on the stars, not just star actors and directors but also star technicians, star cinematographers. it's a very important evolution in terms of understanding why people are working the way they're working.

In the court of the movie owner, none criticized, none doubted. and none dared speak of art. in the owner's mind art was a synonym for bankruptcy. the movie owners are the only troupe in the history of entertainment that has never been seduced by the adventure of the entertainment world.

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Some mornings you wake up and think, gee i look handsome today. other days i think, what am i doing in the movies? i wanna go back to ireland and drive a forklift.

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