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Feeling a little bit alive is a lot better than just waiting to die.
-Robert De Niro
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Feeling A Little Bit Alive Is A

Robert De Niro
Feeling a little bit alive is a lot better than just waiting to die.
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Waiting Feelings Littles

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When we die to something, something comes alive within us. if we die to self, charity comes alive; if we die to pride, service comes alive; if we die to lust, reverence for personality comes alive; if we die to anger, love comes alive.
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I have spent probably years of time waiting in studio lounges - waiting on a mix, waiting on my time to sing, waiting on, waiting on, waiting on. that's just the nature of life.
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Waiting for the fish to bite or waiting for wind to fly a kite. or waiting around for friday night or waiting perhaps for their uncle jake or a pot to boil or a better break or a string of pearls or a pair of pants or a wig with curls or another chance. everyone is just waiting.
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I would ... go up to the mailbox and sit in the grass, waiting. ... till it came to me one day there were women doing this with their lives, all over. there were women just waiting and waiting by mailboxes for one letter or another. i imagined me making this journey day after day and year after year, and my hair starting to go gray, and i thought, i was never made to go on like that. ... if there were woman all through life waiting, and women busy and not waiting, i knew which i had to be.
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In filming you're waiting. you're waiting for lights. you're waiting for people set things up. and when you're not waiting, you're repeating. and neither is conducive to spontaneity, you know. comedy makes you very, very neurotic because you think, i - but did i nail it?
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In an ideal world we would all learn in childhood to love ourselves. we would grow, being secure in our worth and value, spreading love wherever we went, letting our light shine. if we did not learn self-love in our youth, there is still hope. the light of love is always in us, no matter how cold the flame. it is always present, waiting for the spark to ignite, waiting for the heart to awaken and call us back to the first memory of being the life force inside a dark place waiting to be born - waiting to see the light.
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I have enjoyed the trees and scenery of kentucky exceedingly. how shall i ever tell of the miles and miles of beauty that have been flowing into me in such measure? these lofty curving ranks of lobing, swelling hills, these concealed valleys of fathomless verdure, and these lordly trees with the nursing sunlight glancing in their leaves upon the outlines of the magnificent masses of shade embosomed among their wide branches-these are cut into my memory to go with me forever.
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Sometimes a scene works and acting is the easiest thing in the world and you don't have to do much of anything - just enjoy yourself and listen to the other actor. when it doesn't work, then every actor has different ways of dealing with the impasse. sometimes you use memories from the past. whatever. it depends from job to job.
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The question about the salafi is an important question as i say in arab awakening, and have often repeated since. i am really underlining the importance of this, because we really don't have very good memories. remember - the taliban in afghanistan were not at all politicised in the beginning. they were just on about education. and then they were pushed by the saudi and the americans to be against the russian colonisation, and as a result they came to be politicised.
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Have you ever happened, reader, to feel that subtle sorrow of parting with an unloved abode? the heart does not break, as it does in parting with dear objects. the humid gaze does not wander around holding back a tear, as if it wished to carry away in it a trembling reflection of the abandoned spot; but in the best corner of our hearts we feel pity for the things which we did not bring to life with our breath, which we hardly noticed and are now leaving forever. this already dead iventory will not be resurrected in one's memory.
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