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Being hunted, paparazzi-style , doesn't appeal to me.
-Sia Furler
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Being Hunted, Paparazzi-style , Doesn't Appeal To

Sia Furler
Being hunted, paparazzi-style , doesn't appeal to me.
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Style Appeals Paparazzi

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But everything written has style. the list of ingredients on the side of a cornflakes box has style. and everything literary has literary style. and style is integral to a work. how something is told correlates with - more - makes what's being told. a story is its style.
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Once i saw paris hilton leaving a restaurant in hollywood and the paparazzi cameras were all over her. it looked so unpleasant. it wasn't because she didn't look sensational - she was that perfect combination of fashionable and slutty - it was because the paparazzi guys were shouting these insanely rude and intrusive questions at her. like, asking her who she was sleeping with and stuff. i was kind of interested in the answer, so i was glad they asked, but it was still gross.
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I've never had that much trouble with the paparazzi, but i don't run the same circles that a lot of these people that do get hounded by the paparazzi.
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It happened while i was filming “water for elephants in which my partner is reese witherspoon. we had a scene with elephants but there were so many paparazzi around that it was scaring the animals and it was impossible to film. out of the blue, fans, that were waiting for autographs, had enough and circled around the paparazzi. teens made big guys run away. it was unreal! i was pleased.
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The most important thing in life is style. that is, the style of ones existence-the characteristic mode of ones actions-is basically, ultimately what matters. for if man defines himself by doing, then style is doubly definitive, because style describes the doing.
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I had studied dadaism after the second world war. what attracted me to this movement was the style its inventors used when not engaged in dadaistic activities. it was clear, luminous, simple without being banal, precise without being narrow; it was a style adapted to the expression of thought as well as of emotion. i connected this style with the dadaistic exercises themselves
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