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They did type me as a horror writer, but i have been able to do all sorts of things within that framework.
-Ken Kesey
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They Did Type Me As A Horror

Ken Kesey
They did type me as a horror writer, but i have been able to do all sorts of things within that framework.
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Able Horror Type

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To salvage a society, it is necessary to aid, abet, raise and increase that state of mind. if you were to set up a perfect government out here which required the intervention of nobody, you would have destroyed the society. but by raising the individual ability of the persons in the society within the framework that they are able to view, raise their ability within the framework they are able to view, you would have achieved a marked advance for that society.
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We're headed for what is called type 1 civilization, planetary civilization. type 2 would be stellar civilization, like star trek. type 3 civilization would be galactic, like star wars. we are type 0. we get our energy from dead plants, oil and coal. but the question is: will we make it? will we make the transition from type 0 to type 1? it's not clear.
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The writer is a definite human phenomenon. he is almost a type - as pugilists are a type. he may be a bad writer - an insipid one or a clumsy one - but there is a bug in him that keeps spinning yarns; and that bulges his brow a bit, narrows his jaws, weakens his eyes and gives him girl children instead of boys. nobody but a writer can write. people who hang around writers for years - as producers did - who are much smarter and have much better taste, never learn to write.
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Child actors become types. the cutesy type, the funny type, the dark type. any time you're a type, your career's over. it's not been effortless for me; i've had bumps in the road, you know? i was in dumb and dumberer. it's not been a flawless thing so far. but all in all, i'm proud of it. most proud of it because of the diversity. because the genres are different.
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Beatles was 20th-century folksong in the framework of capitalism; they couldn't do anything different if they wanted to communicate within that framework.
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As every writer knows... there is something mysterious about the writer's ability, on any given day, to write. when the juices are flowing, or the writer is 'hot', an invisible wall seems to fall away, and the writer moves easily and surely from one kind of reality to another... every writer has experienced at least moments of this strange, magical state. reading student fiction one can spot at once where the power turns on and where it turns off, where the writer writes from 'inspiration' or deep, flowing vision, and where he had to struggle along on mere intellect.
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When i was 14 i used to have a calendar on my wall, crossing the days off until i was 15, because the school leaving age was 15. then three months before i turned 15 they changed the leaving age to 16.
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Stories set the inner life into motion, and this is particularly important where the inner life is frightened, wedged, or cornered. story greases the hoists and pulleys, it causes adrenaline to surge, shows us the way out, down, or up, and for our trouble, cuts for us fine wide doors in previously blank walls, openings that lead to the dreamland, that lead to love and learning, that lead us back to our own real lives as knowing wildish women.
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From top to bottom of the ladder, greed is aroused without knowing where to find ultimate foothold. nothing can calm it, since its goal is far beyond all it can attain. reality seems valueless by comparison with the dreams of fevered imaginations; reality is therefore abandoned.
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