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Safety from external danger is the most powerful director of national conduct. to be more safe, [nations] at length become willing to run the risk of being less free.
-Alexander Hamilton
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Safety From External Danger Is The Most

Alexander Hamilton
Safety from external danger is the most powerful director of national conduct. to be more safe, [nations] at length become willing to run the risk of being less free.
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Running Powerful Safety

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Safety from external danger is the most powerful director of national conduct. even the ardent love of liberty will, after a time, give way to its dictates. the violent destruction of life and property incident to war, the continual effort and alarm attendant on a state of continual danger, will compel nations the most attached to liberty to resort for repose and security to institutions which have a tendency to destroy their civil and political rights. to be more safe, they at length become willing to run the risk of being less free.
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[in the event of war, americans would] resort for repose and security to institutions which have a tendency to destroy their civil and political rights. to be more safe they, at length, become willing to run the risk of being less free.
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'safety', the wife of pablo said. 'there is no such thing as safety. there are so many seeking safety here now that they make a great danger. in seeking safety now you lose all.'
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With a director it's all about the work; i'd work with a great director over - you know, i'm not the kind of actor who that doesn't go, 'i want to play this role.' it's more like, 'i want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. but a mediocre director will always make a mediocre movie.
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When i move from being a cameraman to being a director i looked at a lot of other cameramen who tried to make the move. and in each case they moved up their camera operator to be the dp, which really meant they didn't want to give up being the dp, and really wanted to do both. and my feeling was if i was going to succeed as a director, i had to just be a director and give up the safety net of being a cameraman.
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Ella, just stay here. stay safe." "safe," ella repeated. "ella likes being safe. safety in numbers. safety deposit boxes. ella will go with tyson." "what?" percy said. "oh... fine, whatever. just don't get hurt. and mrs. o'leary—" "rooof." "how do you feel about pulling a chariot?
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I've always had a very developed superego. i also had a very powerful id, but there was no ego in the middle. so writing was always like letters sent from the id to the superego, saying, "what's going on here?" what i loved about writing was that i was totally weightless. i was amazed at the fact that i could be myself without being afraid that anyone would get hurt.
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