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Poor faulkner. does he really think big emotions come from big words?
-Ernest Hemingway
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Poor Faulkner. Does He Really Think Big

Ernest Hemingway
Poor faulkner. does he really think big emotions come from big words?
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Poor faulkner. does he really think big emotions come from big words? he thinks i don’t know the ten-dollar words. i know them all right. but there are older and simpler and better words, and those are the ones i use.
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When you live in a poor neighborhood, you are living in an area where you have poor schools. when you have poor schools, you have poor teachers. when you have poor teachers, you get a poor education. when you get a poor education, you can only work in a poor-paying job. and that poor-paying job enables you to live again in a poor neighborhood. so, it's a very vicious cycle.
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There are only two emotions: love and fear. all positive emotions come from love, all negative emotions from fear. from love flows happiness, contentment, peace, and joy. from fear comes anger, hate, anxiety and guilt. it's true that there are only two primary emotions, love and fear. but it's more accurate to say that there is only love or fear, for we cannot feel these two emotions together, at exactly the same time. they're opposites. if we're in fear, we are not in a place of love. when we're in a place of love, we cannot be in a place of fear. copyright: elisabeth kubler-ross family limited partnership.
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The emotionally intelligent person is skilled in four areas: identifying emotions, using emotions, understanding emotions, and regulating emotions.
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A great emotion is too selfish ; it takes into itself all the blood of the spirit, and the congestion leaves the hands too cold to write. three sorts of emotion produce great poetry - strong but quick emotions, seized upon for art as soon as they have passed, but not before they have passed ; strong and deep emotions in their remembrance along time after ; and false emotions, that is to say, emotions felt in the intellect. not insincerity, but a translated sincerity, is the basis of all art.
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The yogic sages say that all the pain of a human life is caused by words, as is all the joy. we create words to define our experience and those words bring attendant emotions that jerk us around like dogs on a leash. we get seduced by our own mantras (i'm a failure i'm lonely i'm a failure i'm lonely) and we become monuments to them. to stop talking for a while, then, is to attempt to strip away the power of words, to stop choking ourselves with words, to liberate ourselves from our suffocating mantras.
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