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Phases of the creative process: preparation-gathering impressions incubation-letting go of certainties immersion/illumination-creative intervention/risk revision-conscious structuring and editing of creative material.
-Gail Sheehy
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Phases Of The Creative Process: Preparation-gathering Impressions

Gail Sheehy
Phases of the creative process: preparation-gathering impressions incubation-letting go of certainties immersion/illumination-creative intervention/risk revision-conscious structuring and editing of creative material.
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Letting Go Creativity Illumination

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All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. you want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. i definitely in filmmaking more and more find writing and directing a means to harvest material for editing. it's all about editing.
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This is a gathering of lovers. in this gathering there is no high, no low, no smart, no ignorant, no special assembly, no grand discourse, no proper schooling required. there is no master, no disciple. this gathering is more like a drunken party, full of tricksters, fools, mad men and mad women. this is a gathering of lovers.
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...we should all fortify ourselves against the dark hours of depression by cultivating a deep distrust of the certainties of despair. despair is relentless in the certainties of its pessimism. but we have seen again and again, from our own experience and others', that absolute statements of hopelessness that we make in the dark are notoriously unreliable. our dark certainties are not sureties.
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We speak erroneously of "artificial" materials, "synthetics", and so forth. the basis for this erroneous terminology is the notion that nature has made certain things which we call natural, and everything else is "man-made", ergo artificial. but what one learns in chemistry is that nature wrote all the rules of structuring; man does not invent chemical structuring rules; he only discovers the rules. all the chemist can do is find out what nature permits, and any substances that are thus developed or discovered are inherently natural. it is very important to remember that.
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Performance is made in the editing room, and i've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. i think just going through the process of saying, "which take do we use? why is that the take we want? i want that take can you edit again, i'm not sure that's the one, i think it's this one." and just because you go through that process, i think somehow it's made me sort of more open about the [actor's] possibilities.
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If you decide on having an alcoholic at your party, make sure it's a large gathering. this way, until the alcoholic begins removing their clothes or dangling the cat out the window, they can sort of blend in. an alcoholic at a small gathering is called an intervention.
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