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If anybody starts using me as scenery, i'll return to new york.
-Grace Kelly
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If Anybody Starts Using Me As Scenery,

Grace Kelly
If anybody starts using me as scenery, i'll return to new york.
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New York Return Scenery

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New york is the thing that seduced me. new york is the thing that formed me. new york is the thing that deformed me. new york is the thing that perverted me. new york is the thing that converted me. and new york is the thing that i love too.
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My mother said i should have a 'change of scenery.' the word scenery made be think of a play. and as we were driving around, it made sense that way. because no matter how much the scenery changed, we were still on the same stage.
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How did we make the transition from using wood to using coal, from using coal to using oil, from using oil to using natural gas? how in god's name did we make that transition without a federal energy agency?
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New york was always more expensive than any other place in the united states, but you could live in new york - and by new york, i mean manhattan. brooklyn was the borough of grandparents. we didn't live well. we lived in these horrible places. but you could live in new york. and you didn't have to think about money every second.
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I'm from new york and i love new york and i'm always repping new york, but what i represent is something deeper than just being a new york rapper.
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What is a scene? a) a scene starts and ends in one place at one time (the aristotelian unities of time and place-this stuff goes waaaayyyy back). b) a scene starts in one place emotionally and ends in another place emotionally. starts angry, ends embarrassed. starts lovestruck, ends disgusted. c) something happens in a scene, whereby the character cannot go back to the way things were before. make sure to finish a scene before you go on to the next. make something happen.
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I focus on characters as individuals with attitudes and write each scene from a particular character's point of view. that way, even narrative passages take on the character's sound. i don't want the reader to be aware of me, writing.
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It's so easy to disappear into your character because there isn't all this fuss around you, and we keep a closed set, and closed off to all crew members, even, unless we're cut. a lot of times, you're doing a scene in a movie and there are literally 35 people standing behind the camera all waiting to do their job, but here they have to be off the stage. on the office, it is very much just the actors, a cameraman and a boom operator, like a real documentary, like we really are being documented.
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I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. the last thing on my mind is if the director made good movies previously. it's not my job to know if that director's last movie was any good - it's my job to know if i can play the role.
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I liked the idea that my character was not gonna be the typical dumb guy that i play, typically. i also loved the fact that it was dealing with kind of adult-extended adolescence, which i think is always interesting - a bunch of people that don't wanna grow up.
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