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I use color in a completely arbitrary way in order to express myself powerfully.
-Vincent Van Gogh
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I Use Color In A Completely Arbitrary

Vincent Van Gogh
I use color in a completely arbitrary way in order to express myself powerfully.
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Order Color Arbitrary

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For many years, i have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. the color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. and the color of where you can never go.
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The starting point and the ending point are nothing but two arbitrary choices. you make them as in soccer games, where they chose that it's 90 minutes, not less and not more. but the choices are the responsibility of the filmmaker. you have to choose to join the story at an arbitrary point, and you leave it at an arbitrary point.
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I see myself as no color. i can play the role of a man. i can paint my face white if i want to and play the role of white. i can play a green, i can be a purple. i think i have that kind of frame and that kind of attitude where i can play an animal. if you think in color, then everyone around you is going to think in color and that puts limits on the way you think. i don't think like that. a lot of the roles that i'm doing are roles that a man or a person of any color can do.
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I don't wear a lot of color. in fact, i don't actually like color on myself. i love color but it's very challenging, it's very powerful, it can overpower you. i think if my eyes were closed and someone put a red jacket on me, i would be able to feel that it was red. i don't feel great in color.
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Color tends to corrupt photography and absolute color corrupts it absolutely. consider the way color film usually renders blue sky, green foliage, lipstick red, and the kiddies' playsuit. these are four simple words which must be whispered: color photography is vulgar.
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Deep, dark unearthly black. i hadn't told anyone yet, but the color kept streaking across my mind at the oddest moments. when it did, my skin shivered pleasantly, and it was as if i could feel the color tracing a finger tenderly along my jaw, tipping my chin up to face it directly. i knew it was absurd to think a color would come to life, but once or twice, i was sure i'd caught a flash of something more substantial behind the color. a pair of eyes. the way they studied me cut to the heart.
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All my life one of my greatest desires has been to travel-to see and touch unknown countries, to swim in unknown seas, to circle the globe, observing new lands, seas, people, and ideas with insatiable appetite, to see everything for the first time and for the last time, casting a slow, prolonged glance, then to close my eyes and feel the riches deposit themselves inside me calmly or stormily according to their pleasure, until time passes them at last through its fine sieve, straining the quintessence out of all the joys and sorrows.
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My eyes are too big, my nose is too flat, my ears stick out, my mouth is too big and my face is too small... my body is thin as a clarinet and my ankles are so skinny that i wear two pairs of bobby socks because i don't want people to see how thin they are.
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To act intelligently in human affairs is only possible if an attempt is made to understand the thoughts, motives, and apprehension of one's opponent so fully that one can see the world through their eyes.
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