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I love the quality, feel and history of film. i love the pictures of the giant cameras and the way it was.
-David Lynch
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I Love The Quality, Feel And History

David Lynch
I love the quality, feel and history of film. i love the pictures of the giant cameras and the way it was.
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Quality Cameras Giants

More From David Lynch

Quality doesn't mean deep blacks and whatever tonal range. that's not quality, that's a kind of quality. the pictures of robert frank might strike someone as being sloppy-the tone range isn't right and things like that-but they're far superior to the pictures of ansel adams with regard to quality, because the quality of ansel adams, if i may say so, is essentially the quality of a postcard. but the quality of robert frank is a quality that has something to do with what he's doing, what his mind is. it's not balancing out the sky to the sand and so forth. it's got to do with intention.
Photography Mean Sky
I've been doing photography in one form or another for, oh golly, over seventy years. i don't carry cameras. i used to. for many years i carried cameras wherever i went. photograph whatever i saw that was of interest. in the last years, i've only used cameras to explore thematic ideas which presented themselves first. and then bring out the cameras to try to explore that idea.
Photography Ideas Years
Pictures! pictures! pictures! often, before i learned, did i wonder whence came the multitudes of pictures that thronged my dreams; for they were pictures the like of which i had never seen in real wake-a-day life. they tormented my childhood, making of my dreams a procession of nightmares and a little later convincing me that i was different from my kind, a creature unnatural and accursed.
Dream Real Childhood
There is something that might be called cinematic beauty. it can only be expressed in a film, and it must be present for that film to be a moving work. when it is very well expressed, one experiences a particularly deep emotion while watching that film. i believe that it is this quality that draws people to come and see a film, and that it is the hope of attaining this quality that inspires the filmmaker to make his film in the first place.
Believe Moving People
I don’t use an exposure meter. my personal advice is: spend the money you would put into such an instrument for film. buy yards of film, miles of it. buy all the film you can get your hands on. and then experiment with it.that is the only way to be successful in photography. test, try, experiment, feel your way along. it is the experience, not technique, which counts in camera work first of all. if you get the feel of photography, you can take fifteen pictures while one of your opponents is trying out his exposure meter.
Photography Successful Hands
On things she had to pack before leaving her home in advance of a forest fire, 1996. childhood pictures and pictures of my life. do you know how many pictures that is? not just this life; i have pictures from 13,000 lives.
Life Home Fire
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