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I love the feeling of letting fly, of pushing as far as i could go with my voice. the only way you can really graduate how you do it is by doing it regularly to people who don't have to be super impressed. you can do it in the studio all day long but you don't get the flashback that you get onstage.

-Robert Plant

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I Love The Feeling Of Letting Fly,

Robert Plant

I love the feeling of letting fly, of pushing as far as i could go with my voice. the only way you can really graduate how you do it is by doing it regularly to people who don't have to be super impressed. you can do it in the studio all day long but you don't get the flashback that you get onstage.

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    <p style="font-size: 1.2rem; font-style: italic; margin-bottom: 10px;">"i love the feeling of letting fly, of pushing as far as i could go with my voice. the only way you can really graduate how you do it is by doing it regularly to people who don&#039;t have to be super impressed. you can do it in the studio all day long but you don&#039;t get the flashback that you get onstage."</p>
    <footer style="font-size: 1rem; font-weight: bold;">— Robert Plant</footer>
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Voice Long People

More From Robert Plant

Could it be? samantha kingston? home? on a friday?” i roll my eyes. “i don’t know. did you do a lot of acid in the sixties? could be a flashback.” “i was two years old in 1960. i came too late for the party.” he leans down and pecks me on the head. i pull away out of habit. “and i’m not even going to ask how you know about acid flashbacks.” “what’s an acid flashback?” izzy crows. “nothing,” my dad and i say at the same time, and he smiles at me.

There were two recording studios in bellingham. one was really expensive, a "nice studio." we were at the point where we were young and irreverent. we would scoff at the idea of a nice studio. "why would you want to go to a nice studio? oh wow, they have really expensive gear. ooh, that's really fancy. well we've got an eight-track. we've got it going on here." now that we have the resources, we're like, "oh wow, a nice studio is pretty nice! they do have nice outboards here. it's actually a pretty good place." it's funny how much changes so quickly.

There are no words and there is no singing, but the music has a voice. it is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. it is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. it is a voice with love and without love. i like the voice, and though i can't talk to it, i like the way it talks to me. it says it is all the same, young man. take it and let it be.

But what i would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "you are the beloved and on you my favour rests."... i want you to hear that voice. it is not a very loud voice because it is an intimate voice. it comes from a very deep place. it is soft and gentle. i want you to gradually hear that voice. we both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. it tells us who we are.

Love is real, real is love, love is feeling, feeling love, love is wanting to be loved. love is touch, touch is love, love is reaching, reaching love, love is asking to be loved. love is you, you and me, love is knowing, we can be. love is free, free is love, love is living, living love, love is needing to be loved.

My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. i was expressing everything from my past, everything that i had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. i felt like a cistern, dried up and like there was nothing more. and it was so beautiful.

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