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I do not like assassins, or men of low character.
-Gene Hackman
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I Do Not Like Assassins, Or Men

Gene Hackman
I do not like assassins, or men of low character.
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Character Men Assassins

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We're dealing with character assassins. we're dealing with career assassins. that's who the media is today.
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The first thing that happens is the cleansing of the former character. i don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
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Every man has at times in his mind the ideal of what he should be, but is not. this ideal may be high and complete, or it may be quite low and insufficient; yet in all men, that really seek to improve, it is better than the actual character... man never falls so low, that he can see nothing higher than himself.
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Thing that we wanted to do was redefine what a green job was, what a climate job was. we said: "wait a minute. there's all these people out there who are doing low-carbon work." it's not just guys in hard hats putting up solar panels. teaching is low carbon. caring for the sick is low carbon. daycare is a green workplace. overwhelmingly, this is work that is done by women, overwhelmingly women of color, on the frontlines of austerity clawbacks.
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Intellectual culture seems to separate high art from low art. low art is horror or pornography or anything that has a physical component to it and engages the reader on a visceral level and evokes a strong sympathetic reaction. high art is people driving in volvos and talking a lot. i just don't want to keep those things separate. i think you can use visceral physical experiences to illustrate larger ideas, whether they're emotional or spiritual. i'm trying to not exclude high and low art or separate them.
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