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I didn't hang around films. i don't know if i'd ever seen hitchcock's the lady vanishes.
-Patricia Highsmith
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I Didn't Hang Around Films. I Don't

Patricia Highsmith
I didn't hang around films. i don't know if i'd ever seen hitchcock's the lady vanishes.
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Film Hitchcock Knows

More From Patricia Highsmith

We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. never.
Way Should Equipment
Snap. lady with dog. lady on sofa half-naked. snap. naked lady. lady next to dresser. lady at window. snap. lady on balcony sunlight. (on new orleans photographer e. j. bellocq)
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I have seen war. i have seen war on land and sea. i have seen blood running from the wounded. i have seen men coughing out their gassed lungs. i have seen the dead in the mud. i have seen cities destroyed. i have seen 200 limping, exhausted men come out of line—the survivors of a regiment of 1,000 that went forward 48 hours before. i have seen children starving. i have seen the agony of mothers and wives. i hate war.
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There are two kinds of filmmaking: hitchcock's (the film is complete in the director's mind) and coppola's (which thrives on process). for hitchcock, any variation from the complete internal idea is seen as a defect. the perfection already exists. coppola's approach is to harvest the random elements that the process throws up, things that were not in his mind when he began.
Ideas Two Perfection
Wayside school is falling down, falling down, falling down, wayside school is falling down my fair lady. kids go splat as they hit the ground, hit the ground, hit the ground, kids go splat as the hit the ground my fair lady . broken bones and blood and gore, blood and gore, blood and gore, broken bones and blood and gore my fair lady. we don't have to go to school no more, school no more, school no more, we don't have to go to school no more my fair lady.
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There are many stories of people didn't set out to make a film that became a classic - the whole process was a disaster, everybody hated each other, the movie itself was a disaster, everybody thought the movie and the script was going to be a piece of crap. look at alfred hitchcock and psycho. nobody wanted to make psycho; it was crap to them. the only person that wanted to make psycho was hitchcock. now, it's considered a classic and a work of art.
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