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By the time i got to the paris conservatoire i was very good at the scales and arpeggios.
-James Galway
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By The Time I Got To The

James Galway
By the time i got to the paris conservatoire i was very good at the scales and arpeggios.
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Paris Scales Very Good

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Every time i look down on this timeless town whether blue or gray be her skies. whether loud be her cheers or soft be her tears, more and more do i realize: i love paris in the springtime. i love paris in the fall. i love paris in the winter when it drizzles, i love paris in the summer when it sizzles. i love paris every moment, every moment of the year. i love paris, why, oh why do i love paris? because my love is near.
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I've learnt new scales through playing different types of music, like indian raga scales, gipsy scales and harmonically-based jazz scales.
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I practice all the scales. everyone should know lots of scales. actually, i feel there are only scales. what is a chord, if not the notes of a scale hooked together?
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The concept is basically; that the pieces we know and love are made up of scales, arpeggios, and the like.
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You can sightread better if you know your scales and arpeggios.
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It is no accident that propels people like us to paris. paris is simply an artificial stage, a revolving stage that permits the spectator to glimpse all phases of the conflict. of itself paris initiates no dramas. they are begun elsewhere. paris is simply an obstetrical instrument that tears the living embryo from the womb and puts it in the incubator.
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