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Anyone that has character leaves a mark on another. would you like to leave the world without making a ripple?
-Nora Roberts
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Anyone That Has Character Leaves A Mark

Nora Roberts
Anyone that has character leaves a mark on another. would you like to leave the world without making a ripple?
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Character World Mark

More From Nora Roberts

Something your father wouldn't have told you, he began. taking blood, it leaves a mark on you. no matter how it's done, or how it's justified, it leaves a mark that goes in deep. be sure you're willing to wear that mark before you take the blood.
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To be secure everywhere is the mark of sophistication, to be unshakable is the mark of courage, to be permanently in love with every person is the mark of masculinity or femininity, to forgive is the mark of strength, to govern our senses and passions is the mark of freedom.
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Every spirit passing through the world fingers the tangible and mars the mutable and finally has come to look and not to buy. so shoes are worn and hassocks are sat upon and finally everything is left where it was and the spirit passes on, just as the wind in the orchard picks up the leaves from the ground as if there were no other pleasure in the world but brown leaves, as if it would deck, clothe, flesh itself in flourishes of dusty brown apple leaves and then drops them all in a heap at the side of the house and goes on.
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I want to love you without clutching, appreciate you without judging, join you without invading, invite you without demanding, leave you without guilt, criticize you without blaming, and help you without insulting. if i can have the same from you, then we can truly meet and enrich each other.
Love You Appreciate Judging
You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. whereas when you're doing a film, once you start asking, "what would i do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which i think is self-serving, in the wrong way. the idea is to bring yourself to the character.
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Strong emotional experiences are for the most part impersonal. anyone who has hated another person so much that only chance stands between that person and death knows this, as does whoever has fallen into the catastrophe of a deep depression, anyone who has loved a woman to the dregs, anyone who has beaten others bloody or ever come up behind another person with muscles trembling. "losing one's head," language calls it. emotional experience is, in itself, poor in qualities; qualities are brought to it by the person who has the experience.
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