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A lot of directors idealize their leading ladies or turn them into these objects of sexuality and beauty.
-Diane Kruger
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A Lot Of Directors Idealize Their Leading

Diane Kruger
A lot of directors idealize their leading ladies or turn them into these objects of sexuality and beauty.
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Directors Sexuality Leading Ladies

More From Diane Kruger

1960, i was 20 years old, and i was leading the u.s. open. now, i wasn't leading by several strokes, but i was leading the u.s. open and playing with ben hogan, had a very good chance to win, nine holes to go, i was leading. i was still leading with six holes to play.
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You look back at a time you idealize now and you only remember the good stuff. you tell the stories about the hard stuff and just laugh about it now. you don't remember how difficult it was to be stranded in austin after driving 52 hours from seattle in a rainstorm and having nowhere to stay for five hours. you remember that stuff and laugh about it now. you don't feel it the way you did back then when you were so scared and nervous and tired and hungry. we always idealize the past because we don't feel the painful stuff the way we used to.
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It's entirely to do with personality, i think. there are good directors who talk a lot, bad directors who talk a lot, and good directors who don't say much and vice-versa. it just depends on whether people respond to that personality and whether people have a willingness to do something for them.
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Parents' tolerance of violence is so different to their tolerance of sexuality. if violence is involved in the sexuality it's somehow perceived as entertainment, but if love is involved with sexuality it's seen as pornographic and is not acceptable.
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I watched a lot of silent directors who were absolutely great like john ford and fritz lang, tod browning, and also some very modern directors like the coen brothers. the directors take the freedom within their own movies to be melodramatic or funny when they chose to be. they do whatever they want and they don't care about the genre.
Brother Directors Care
It is clear that everybody interested in science must be interested in world 3 objects. a physical scientist, to start with, may be interested mainly in world 1 objects--say crystals and x-rays. but very soon he must realize how much depends on our interpretation of the facts, that is, on our theories, and so on world 3 objects. similarly, a historian of science, or a philosopher interested in science must be largely a student of world 3 objects.
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