Stephen King needs no introduction. Although he spends most of his time writing books and tales that just about inevitably get made (and remade) into movies and TV series, he additionally manages to do some appearing on the aspect, most frequently popping up in variations of his personal works. Would you’ve guessed? We have now some favorites!
Earlier than we dive in, be aware that this checklist is sticking to horror motion pictures and TV, so no person come ‘spherical with “What about that sloppy, snarky man he performed in Knightriders?” (as a lot as I like that man, and that entire film). Identical goes for all you Sons of Anarchy followers who got here for me after my Ron Perlman list. With that clarification out of the way in which, listed here are our 10 favourite Stephen King horror roles—most are cameos, some are full-fledged characters, however all deliver somewhat sprinkle of additional weirdness, and a giant meta wink, to no matter challenge they seem in.
10) Pet Sematary (1989)
He’s solely on-screen in Mary Lambert’s movie for round 20 seconds, however casting King because the minister who delivers the graveside service for little Gage Creed—a short-term burial, as a result of the child’s grieving father will quickly foolishly re-bury his son in a sure patch of cursed land—is each cheeky and ideal. Behind the scenes, King additionally tailored the screenplay from his best-selling novel.
9) The Shining (1997)
King, who famously disliked Stanley Kubrick’s 1980 take on his 1977 novel, penned the script for this Mick Garris-directed ABC miniseries do-over that starred Steven Weber and Rebecca De Mornay. Then, he bestowed it with the last word stamp of approval: a completely goofy cameo as “Gage Creed,” a personality who’s by some means remodeled from a creepily resurrected toddler right into a dancing, prancing bandleader clad in a white tuxedo, main a ghoulish shindig on the Overlook Lodge. We love that this position preserved his fancy footwork for posterity.
8) Thinner (1996)
Tom Holland (Child’s Play, Fright Night time) directed and co-adapted this body-horror flick about an overweight, morally corrupt lawyer (Robert John Burke in prosthetics) who begins quickly dropping kilos on account of a stereotypical Romani-influenced curse—an unlucky trope that may have been up to date from King’s 1984 novel however performs proper into all of the anticipated stereotypes as a substitute. At any price, King seems as a grumpy pharmacist who escapes being marked by a curse of his personal, even though his customer support is considerably missing, and his testimony helps the lawyer wriggle out of expenses after he by accident mangles a Romani particular person along with his automotive. Thinner has not aged effectively, y’all.
7) Sleepwalkers (1992)
King wrote the screenplay for this tongue-in-cheek Mick Garris movie a few mom and son who occur to be incestuous, vampiric, nomadic, cat-hating shapeshifters (performed by Brian Krause and Alice Krige). At the beginning of the film, the charming pair targets the unsuspecting Tanya (Madchen Amick on the top of her Twin Peaks fame) as their newest sufferer. Tanya realizes her new crush is definitely a monster when he tries to empty her life drive on their first date—a picnic within the native graveyard. The aftermath brings King’s cameo (because the cemetery caretaker, whose fundamental concern is not the well-being of the traumatized woman, however quite ensuring the cops don’t assume he had something to do with it) in addition to some very enjoyable different blink-and-you’ll-miss-’em turns by horror legends John Landis, Joe Dante, Clive Barker, and Tobe Hooper.
6) The Langoliers (1995)
Holland additionally directed and tailored King’s novella, which seems in his 1990 assortment 4 Previous Midnight, for this two-part ABC miniseries about aircraft passengers left to fend for themselves after a Rapture-like occasion (attributable to a unsuitable flip by some sort of space-time portal) strands them on the abandoned Bangor, Maine airport. King’s surreal flip comes courtesy of increasingly unhinged businessman Craig (Bronson Pinchot), who hallucinates a enterprise assembly with King as his money-hungry boss. Pinchot positively chews numerous surroundings within the second, but it surely’s so startling to see the writer as a grasping company go well with that he nonetheless makes an impression.
5) Kingdom Hospital (2004)
King bought a “developed by” credit score on this ABC collection, which ran for a single season as an adaptation of Lars von Trier’s 1994 miniseries for Danish TV. He additionally pops up as one of many haunted hospital’s workers—a mysterious upkeep man named “Johnny B. Goode” whose existence is teased all through the collection, however who solely truly seems within the finale. Although his display screen time is brief, the payoff in any case that build-up does make for a nifty Easter Egg.
4) Most Overdrive (1986)
King tailored his quick story “Vehicles” for this cult horror-comedy, which can also be his first and solely directorial effort to this point. He seems early on, as Earth is simply beginning to understand that each one machines are beginning to acquire sentience—and really dangerous attitudes. King’s tacky character can’t fairly consider what the ATM he’s making an attempt to make use of has registered on its display screen, so he calls his spouse over for a glance: “Honey, come on over right here, sugar buns…this machine simply referred to as me an asshole!”
3) The Stand (1994)
Garris (sure, once more) directed this four-part ABC miniseries based mostly on King’s epic 1978 novel set within the aftermath of an apocalyptic world pandemic. The large solid is studded with cameos (John Landis and Sam Raimi present up, however so do big-name actors recognized for his or her work in King variations, like Ed Harris and Kathy Bates), however King truly will get a barely extra substantial position than his common one-scene look. He performs Teddy Weizak, who helps fundamental character Nadine Cross on her perilous journey from New York to Colorado, and he’s additionally tasked with a dramatic second, breaking some very dangerous information to Stu Redman, one other fundamental character. Whereas we don’t know but if King may have an on-screen half within the quickly approaching CBS All Entry tackle The Stand, we do know that the writer penned “a new coda” for this model of the story.
2) It Chapter Two (2019)
King’s most up-to-date cameo takes place in good previous Derry, Maine, the place a jittery Invoice Denbrough (James McAvoy) spots an plain hyperlink to his childhood within the window of a secondhand retailer: his bicycle, Silver. Most followers will immediately acknowledge King because the salty shopkeeper, however for anybody who doesn’t catch on straight away, King will get to say “Aren’t you William Denbrough? The author?” earlier than demanding Invoice pay $300 to reclaim Silver. Invoice agrees, however not earlier than he notices the clerk has one among his books stashed behind the counter. He presents to signal it, however the man declines earlier than brusquely jabbing Invoice with a phrase King himself has little question heard a time or two over time, particularly with regard to 1986’s It: “I didn’t just like the ending.”
1) Creepshow (1982)
One in every of King’s earliest appearing gigs got here on this George A. Romero-directed horror anthology. On the time, the writer was already a longtime creator of best-sellers—Carrie, The Shining, The Stand, The Useless Zone, and Cujo are simply some of the titles he penned previous to Creepshow hitting theaters—however he did make his screenwriting debut with the movie. He wrote himself a splendidly oddball position within the “The Lonesome Dying of Jordy Verrill” (based mostly on his quick story “Weeds”), a few beer-loving farmer who realizes the meteor that falls on his land isn’t the ticket to riches he imagines it will likely be; as a substitute, it covers his dwelling, his flesh, and doubtless the whole planet with fuzzy inexperienced plant matter. It’s by some means poignantly unhappy, hysterically humorous, and completely gross all on the similar time.
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