Monkey Punch’s beloved gentleman thief has been an animated icon for many years, giving us oodles of cinematic and small display screen escapades. However Lupin’s newest heist is an epic not like something he’s performed earlier than, and never simply because he’s been stunningly realized in a complete new medium.
Lupin III: The First, directed by Dragon Quest: Your Story’s Takashi Yamazaki (which hit Japanese theaters late final 12 months and is now lastly heading to the West), marks the very first utterly 3DCG animated film within the franchise. It’s not the primary time Lupin has experimented with the medium—nevertheless it’s the primary time Lupin has tackled 3DCG at such a scale, braving the standard skepticism felt by anime followers when a historically animated traditional goes 3D.
What journey is value that dangerous leap? The First pitches our titular gents thief (performed by Kanichi Kurita within the Japanese unique, and by Tony Oliver within the English dub) alongside a brand new character, the younger archaeology student-to-be Laetitia (Suzu Hirose/Laurie Hymes) in ‘60s France. Lupin and Laetitia cross paths once they uncover each are attempting to steal an vital historic artifact: the Bresson Diary.
The Diary, stored beneath an arcane locking system, purportedly holds the clues to a treasure so priceless it was the goal of the Nazis throughout their occupation of the nation in World Struggle II. However when Lupin and Laetitia uncover that every little thing they know concerning the diary factors to a a lot grander plot—by remnants of the Reich itself, in search of to revive itself to glory—they determine to affix forces, alongside Lupin’s stalwart allies Daisuke Jigen (Kiyoshi Kobayashi/Richard Epcar) and Goemon Ishikawa (Daisuke Namikawa/Lex Lang), in addition to the mercenary thief Fujiko Mine (Miyuki Sawashiro/Michelle Ruff) and even their common nemesis Inspector Zenigata (Kōichi Yamadera/Doug Erholtz), to cease the Nazis from getting their palms on an influence that would change the world.
Fortunately, like most of the thief’s heists, The First’s leap to 3DCG is a threat value taking: Marza Animation Planet and TMS Leisure’s animated spin on the world of Lupin is among the most breathtaking translations of a usually 2D character to 3D we’ve seen in years. It’s as if Monkey Punch’s manga, or the beloved animated collection and films that spun out of it, leaped into an additional dimension—faithfully holding the exaggerated aesthetics and actions which have outlined Lupin, Fujiko, Jigen, Goemon, and Zenigata throughout decades of works whereas rendering them with a constancy that sits alongside the likes of Spider-Verse as a few of the finest within the discipline.
Identical to Spider-Verse earlier than it, The First embraces its supply materials and magnificence even because it adapts it to an unfamiliar medium filled with foolish sight gags, capturing the best way Lupin and his mates dart throughout the display screen with a jangly, kinetic power. The First feels proper according to Lupin III’s best adventures aesthetically. Each body, from the chase sequences to the spectacle of the third act—an Indiana Jones-esque escalation that permits for absurd stakes and visuals not like any of Lupin’s previous escapades, even at their most fantastical—conveys its love for what Lupin III is, and what it’s at all times been in its previous historical past on screens huge and small. Even essentially the most diehard skeptics of a CG adaptation may have their hearts and eyes melted.
The First’s visible power is matched by an equally frenetic tempo, because it bounces from setpiece to setpiece with barely an opportunity to breathe over its 90-odd-minute runtime. However when issues do take a second to face again and lay the scene, the splendor of the visuals is at all times there, making certain that you simply’re by no means too removed from one other high-octane state of affairs that, by the point the movie’s reaching its climax, simply seems like an animation workforce that’s flexing on you as a result of it may possibly. Like Lupin himself, The First is a film that appears slick as hell and knows it.
Splashy visuals might disguise a weak story, and whereas The First may not be essentially the most narratively dense or complicated story that’s been informed with these characters, it packs the guts wanted to propel its blockbuster visuals. The story itself is easy fare; Lupin and Laetitia each need to re-embrace the households they’ve discovered for themselves, the previous in his motley crew of fellow thieves and the ever-furious Inspector that hunts them, the latter re-examining herself in mild of the revelations concerning the Bresson diary’s personal historical past.
The First doesn’t want a grand story of twists and turns to hold its dazzling escapades. It’s there when it must be, and its themes of unity and household, with a touch of biting one’s thumb at authority, are all intrinsic to the franchise. They’re allowed to shine in The First when they should and know when to drag again when what you need to see is the heroes leaping into motion, performing death-defying escapes, and popping out on high. It will get proper to the purpose with a degree of readability that’s appreciated for its stark simplicity—mates good, Nazis unhealthy, now sit again and benefit from the present: and what a present it’s.
In one other time, it’d be the kind of gorgeously captured spectacle that begs for a giant display screen, however The First isn’t worth risking your personal security in a world pandemic to see in its limited-run capability. It’s an absolute blast and a trustworthy iteration on the fashion and scope of those characters in a medium that permits their zany hijinks to dazzle brighter than ever. Simply wait a pair extra months to take pleasure in it at residence as a substitute, the place the Nazi-punching will land simply as laborious, and the sights will likely be simply as enjoyable to behold.
Lupin III: The First is receiving a limited-run theatrical release this week, earlier than releasing on-demand digitally December 15, and on Blu-ray in standard and steel book releases from January 12. A digital screener was offered for this evaluation.
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