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Cooper FX Arcades review: Plumbing the depths of lo-fi guitar effects

However I wish to begin with one of many issues that the Arcades will get so impressively proper: the interface. Contemplating the breadth of results it covers and the variety of choices, it could have been straightforward for the pedal to change into an unwieldy mess. However on the entrance are simply two foot switches, two buttons, 4 knobs and a small display. (Simply to spherical out the {hardware}, round again you’ll additionally discover MIDI in and an expression pedal jack.)

The show is vivid sufficient to be seen even in direct daylight. Whereas that most likely gained’t be a state of affairs you encounter typically, I really feel assured saying the glare of stage lights shouldn’t be an excessive amount of of a problem. It’s small and recessed sufficient that your foot gained’t pose a hazard to it. Plus, it’s sandwiched instantly in the course of the 4 knobs, so that you’d actually need to exit of your method to stomp on it. 

Observe in regards to the demos

The entire demos on this assessment are performed on a Fender Toronado and recorded direct into Ableton and Guitar Rig 5 utilizing the Bounce amp (Marshall JMP). Any further drive or distortion is offered by smallsound/bigsound’s Fuck Overdrive. No different results are used besides within the Grain demo which additionally contains reverb from Walrus Audio’s Slö.

Since it is a multi-effects pedal, the knobs need to carry out a number of capabilities. They’re labeled A, B, C and D, and the display tells you what they’re really controlling at a given time, whether or not that’s the decay of a reverb or the dry mixture of a synth impact. The 2 small buttons on the entrance permit you to navigate the display. They carry out a number of duties as effectively, however they’re straightforward to grasp. On the left is the PRGM button, which cycles by the eight results on every card once you faucet it. Lengthy urgent brings up a system menu, the place it can save you and cargo presets, change the MIDI channel or management the quantization of the DSP clock. (Extra on that later.) 

The Web page button on the proper swaps between two units of controls for the knobs. One is international settings like moist and dry quantity ranges, tone and clock velocity (once more, we’ll dig into this later); the opposite set is particular to every impact. Lengthy urgent the Web page button unlocks one of many Arcades’ best powers: the task menu. That is the place you may assign parameter modifications to the AUX footswitch or an expression pedal.

The AUX/Faucet footswitch on the left could be both a faucet tempo (very helpful for delays) or an auxiliary management that means that you can instantly bounce to a second set of settings. You need to use it to crank the delay suggestions to the max for wild self-oscillating freakouts. Or change between octaves and fifths on a pitch shifting program. Or freeze a reverb to create a pad so that you can solo over. 

It’s also possible to assign a number of parameters to the footswitch or to an expression pedal, too. So, if you wish to easily flip down the pattern price and whereas concurrently rising the flutter on the lo-fi Delay, you are able to do that. You’ll be able to even set the vary of the expression pedal so if you’d like a full sweep to solely make delicate modifications, it may well do this. 

And look, there’s loads of pedals on the market with assignable footswitches and expression ports. However the simplicity of assigning issues right here and the breadth of choices is spectacular. All it’s important to do is flip the knob akin to the parameter you wish to what the secondary setting ought to be and voila! 

With no display, pedals often depend on obscure button mixtures for assigning parameters. You’re typically solely capable of assign one after the other, and there’s no method to rapidly see what’s assigned. Even many pedals with shows don’t really feel this intuitive or direct. 

The identical goes for the method for saving and loading presets. While you open the system menu by lengthy urgent the PRGM button, the A knob scrolls by the presets. (There are eight in whole.) You then press and maintain the bypass footswitch to avoid wasting a preset or press and maintain the aux footswitch to load one. That’s it. Every part is fairly easy.

The playing cards

Terrence O’Brien / Engadget

All of that is at the least partly on account of a choice made in the best way to deal with the cartridges. See, the Console and Z-DSP use easy EEPROM playing cards with program knowledge that’s fed to the FV-1 inside. The Arcades really makes use of a microcontroller to emulate an EEPROM. It’s additionally what tells the display what to show, permits for the saving and loading of presets and does another housekeeping work. So, whereas the playing cards might sound a bit of expensive at $49 apiece, know that you just’re not simply paying for a glorified SD card. (You additionally get two of your selecting with the pedal.)

Cooper FX doesn’t declare the playing cards are hot-swappable, however I’d say a great 75 p.c of the time I might get a newly inserted card to load with out having to energy the pedal on and off. 

Every of the eight at the moment accessible playing cards are loosely themed round a specific form of impact: Delay, Reverb, LoFi, Pitch, Synth, Grain (granular), Reverse and Technology Loss (after the beloved pedal of the identical title constructed by Cooper FX). There’s a first rate quantity of overlap between the playing cards. Not that the identical precise results are replicated, however they’ve a really comparable vibe. And a lot of the results lean into the lo-fi character that Cooper is finest recognized for. There are crisp clear digital delays right here and limitless unnatural reverbs that appear like one thing straight out of a sci-fi film. However a great chunk of the consequences do issues like attempt to emulate VHS warbles and getting old vinyl or do glitchy granular processing. 

There’s a VHS algorithm on the Reverb, Delay and Technology Loss playing cards. And, along with a devoted LoFi card, there are LoFi packages on the Synth, Reverse and Grain playing cards. Majeski is aware of his viewers and is catering to it. They ship issues like random vibrato and bit price discount to seize the texture of getting old tapes, outdated samplers and skipping CDs. These types of results are very in vogue proper now, and Cooper FX has confirmed itself fairly adept at them. 

To see that experience, you want solely take a look at the Technology Loss card. It is a choice of results constructed across the unique Technology Loss pedal, which may fetch over $500 on Reverb. Technology Loss is billed as a VHS simulator — it provides wow, flutter and noise to your guitar sign and mainly simply makes every thing really feel heat and nostalgic. Now, the unique Technology Loss has two FV-1 chips inside. But, Majeski managed to cram a lot of the options into this single chip pedal principally by making a couple of interface tweaks. 

The obvious sacrifice goes from six controls to 4 on the Arcades. To compensate the assorted packages on the Technology Loss card deal with particular mixtures of its parameters and discover relationships between them. Consider it form of like a guided tour by the Technology Loss’ best hits. 

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Author

PJ

PJ is the Digital Marketer & Founder of PJ Digital Marketing, has involved in this field from 2010 onwards. Also the owner of a few more sites in different fields.